Greek Three Hole Ceramic Vase by Nikos Dazelidi, 1960s

A ceramic vase by Greek artist Nikos Dazelidi, created in Athens in the 1960s, and signed by the artist. The form is approached as both vessel and object, balancing utility with a distinct presence.

The body is low and rounded, its silhouette soft yet intentional, shaped with a sense of contained volume rather than vertical reach. From its surface rise three short cylindrical openings, unevenly spaced, introducing a rhythm that feels organic rather than measured. 

The gesture suggests function, but also abstraction, an arrangement that invites interpretation as much as use.

Its glaze carries a muted, mint-toned palette, softened by a gentle, almost chalky finish. Subtle variations in tone move across the surface, with warm speckling emerging beneath the glaze, giving the piece a quiet depth. The coloration feels atmospheric rather than applied, as though it has settled into the form over time.

On one side, a circular aperture interrupts the mass, revealing a spiraling interior detail. This recessed element introduces contrast in both color and structure, drawing the eye inward. The layered rings within the opening create a sense of movement, a contained geometry that plays against the otherwise smooth exterior.

The vase operates as more than a container. It holds space through its presence, its soft color, and the interplay of solid and void. Whether used or left empty, it remains complete, an object defined as much by what it contains as by the form it asserts.

There is a tactile quality throughout. The surface is not overly refined; it retains a softness that reflects the hand in its making. Edges are slightly rounded, transitions gently resolved, allowing the form to feel cohesive without becoming rigid.